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Christine Neubauer Net Worth - Celebrity Net Worth 2. Christine Neubauer Net Worth, Biography, Wiki 2. Christine Neubauer was born on June 2. Munich, Germany. She is an actress and writer, known for Die Holzbaronin (2. Spielfilm (TV) Drama Deutschland 1995 05.11.1995 Auftraggeber/ Sender.L. Filmography. Awards. Salaries. Facts. Quotes. Trademarks. Pictures. Johanna Lohmann. Die Pastorin. TV Movie. Franziska Kemper. Die Holzbaronin. 20. TV Movie. Elly Brauer (1.
Das Traumhotel. 20. TV Series. Maria Schneider. Dora Heldt: Bei Hitze ist es wenigstens nicht kalt. TV Movie. Doris Goldstein- Wagner. Hannas Entscheidung. TV Movie. Hanna Forster. Kennen Sie Ihren Liebhaber? Oliver Grober has: Played Maik Zieteljan in Der Landarzt in 1987. Played Robert Steinbecker in Von Gewalt keine Rede in 1991. Nameserver- und NSentry-Eintr. Erzeugung und Hinterlegung einer AuthInfo; Inhaberwechsel; L. Redemption Grace Period. TV Movie. Victoria Stellmann. Mein verr. Julia Wagner. God's mighty servant. TV Movie. Schwester Pascalina. Die Minensucherin. TV Movie. Nina Schneider. L. Maria Berger. Meine Heimat Afrika. TV Movie. Hanna Edlinger. Die Lebensl. Katrin Berger. Santa in the House. TV Movie. Klaudia Wehmeyer. Tischlein deck dich. TV Movie. Wirtin. Treuepunkte. 20. 08. TV Movie. Andrea Schnidt. Homicide Unit Istanbul. TV Series. Monika Adler. Insel des Lichts. TV Movie. Nora Bernd. Im Tal des Schweigens. TV Series. Anna Wallner / Anna Christeiner. F. Katrin Berger. Suchkind 3. 12. 20. TV Movie. Ursula Gothe. Die Erntehelferin. TV Movie. Clara. Moppel- Ich. TV Movie. Carla 'Christin' Hahn. Momella - Eine Farm in Afrika. TV Movie. Margarete Trappe. Am Ende des Schweigens. TV Movie. Jessica Wahlberg. Folge deinem Herzen. TV Movie. Dr. Katrin Berger. Eva Zacharias. 20. TV Movie. Eva Zacharias. Die Frau des Heimkehrers. TV Movie. Eva Rombach. Laura's Wish List. TV Movie. Laura Sebald. A Christmoose Carol. Gerlinde. Ein sch. Regina Deutsch, Sexualtherapeutin. Die Rosenheim- Cops. TV Series. Katharina Veitl. Mein Vater und andere Betr. D1. 99. 9Lioba. Ich bin kein Mann f. Bayer. 19. 92. TV Series. Roswitha S. L. Kerner Show. TV Series. Herself. While not every episode is a gem. Crime Does Not Pay; Cuban Rebel Girls; Curse Of The Living Corpse; Cutter. 22; The Magnificent Seven. The Wolf of Wall Street movie reviews & Metacritic score. If Leonardo DiCaprio does not a Oscar for he's role in this movie then they is going to be a rant.
The Definitive Crime Does Not Pay Radio Log with MGM Radio Attractions, Lionel Stander and Joan Lorring. The Marcus Loew Booking Agency had owned radio station call sign WHN since 1. In September of 1. WHN changed its call sign to WMGM, in part to capitalize on a series of M- G- M radio programming projects that Metro- Goldwyn- Mayer Radio Attractions was attempting to introduce to a national audience. Programs such as The Adventures of Maisie, Crime Does Not Pay, The Hardy Family, M- G- M Theatre of The Air, and The Story of Dr. Kildare, all drew on material that M- G- M, as a film studio, already had in the can. Having established Metro- Goldwyn- Mayer Radio Attractions for the express purpose of transcribing, then syndicating, this programming, all that remained was for M- G- M to obtain a well- established radio station from which to broadcast their programming packages. The working assumption was that once heard in a wide enough area they'd be picked up nation- wide in due time. The concept seemed to be working for several years, until a change in M- G- M focus made their M- G- M Radio Attractions division redundant. WMGM slowly began changing its format to remain viable to its expanding local audience, and the era of MGM- produced, network- ready, syndicated content dwindled to nothing. The M- G- M cachet was so persuasive that within days of Metro- Goldwyn- Mayer Radio Attractions' July 1. M- G- M Radio Attractions had sold the following initial eight- program 'portfolio' to over 2. Canada: The package actually came to the air before M- G- M's own WMGM began its initial broadcast run in October 1. Chicago's Mutual key station, W- G- N, was the first to broadcast M- G- M Theatre of The Air on September 1. M- G- M's Maisie, Hardy Family and Dr. Kildare franchises, alone, spanned forty- two feature films over twenty years. Their broad appeal and the feel- good, optimistic values and themes they contained were like a tonic to post- Depression America. When M- G- M spun off its M- G- M Radio Attractions syndicated Radio programming division it seemed only natural to draw upon their proven track record of popular Film features and shorts. M- G- M's Crime Does Not Pay series of short features were another natural candidate for a Radio feature. M- G- M Theatre of The Air was an obvious answer to Lux Radio Theatre, the Screen Guild Theatre series', and NBC's long- running series' of Film adaptations. Thus, in one master stroke, the newly formed M- G- M Radio Attractions brought a compelling package of four half- hour features, an hour- long film adaptation feature, and three fascinating fifteen- minute features, Hollywood U. S. A., Good News from Hollywood, and At Home With Lionel Barrymore to Radio to compete, head- to- head with the best, then- available Radio programming of the era. It's easy to see why the package was gobbled up within days of its announcement. Small market Radio outlets, as well as large, highly successful regional Radio broadcasters could obtain a diverse, highly promising package of features from a major studio, starring some of the greatest talent of the era- -and at a fraction of the cost to produce and broadcast these features in- house. Of course by 1. 94. America had heard literally hundreds of uplifting, 'family values,' small town- oriented situation comedies and serials. But then in 1. 95. Mutual Broadcasting System (MBS) sought to expand its own feature programming. It seemed natural to turn to M- G- M Radio Attractions for solid, already transcribed programming. Mutual stations had already comprised the majority of subscribers to M- G- M's intial portfolio of eight Radio Attractions features. So it was that, mid- 1. MBS and M- G- M began hammering out a deal for what eventually became a ten- feature package of transcribed, syndicated programming, as follows: A stunning and compelling lineup to be sure, the package carried forward the half- hour features Crime Does Not Pay, The Hardy Family, The Story of Dr. Kildare, and The Adventures of Maisie, as well as the hour- long feature, M- G- M Theatre of The Air. The MBS package added the half- hour situation comedies, Woman of The Year and The Modern Adventures of Casanova; the half- hour mystery, The Black Museum; the half- hour variety feature, The Gracie Fields Show; and complimented M- G- M's Film adaptation feature, M- G- M Theatre of The Air with The M- G- M Musical Comedy Theatre of The Air. After months of wrangling and delays, the deal was finally struck in November of 1. MBS began 'officially' airing the M- G- M Radio Attractions features the week of January 2- 8, 1. Designed to air in the prime- time spot of 8- 1. Monday through Saturday, the package was also structured as a co- op package, similar to competing NBC's 'Tandem Package'. The Mutual package, referred to as 'MBS Plus', offered 'co- operative' advertising spots for multiple sponsors and advertisers. Thus a sponsor or advertiser could purchase any combination of quarter- hour advertising blocks between 8 p. The opportunity to leverage their sponsoring expenses held great appeal as Radio entered an era of stiff competition with Television for sponsors' dollars. It also afforded member MBS stations a combination of straight drama, adventure, situation comedy, Film and Musical adaptations, and Variety programming in a package that sold for the approximate cost of three to five weekly half- hour features. M- G- M Radio Attractions brings 'Crime Does Not Pay' to radio. As must be immediately noticeable from the long list of movie actors heard in Crime Does Not Pay, this was not your everyday Golden Age Radio drama. Indeed, you might be forgiven if you fail to recognize more than a couple of Radio voice talents in the entire list. The Radio program was based on a very popular series of MGM Short Subjects they produced between 1. Crime Does Not Pay. MGM Short Subjects had been a highly bankable asset for MGM. They also served as a 'farm club' for much of MGM's up and coming talent. Four of MGM's most popular Shorts were Our Gang,The Passing Parade, with John Nesbitt, the Oscar- winning Pete Smith Specialties, and Crime Does Not Pay. Beginning with 1. Buried Loot, the first twenty- five MGM Crime Does Not Pay short subjects were: 1. No. 0. 1: Buried Loot. No. 0. 2: Alibi Racket. No. 0. 3: Desert Death. No. 0. 4: A Thrill for Thelma. No. 0. 5: Hit and Run Driver. No. 0. 6: The Perfect Set- up. No. 0. 8: The Public Pays. No. 0. 9: Torture Money. No. 1. 0: It May Happen to You. No. 1. 1: Soak the Poor. No. 1. 2: Give Till It Hurts. No. 1. 3: Behind the Criminal. No. 1. 4: What Price Safety! No. 1. 5: Miracle Money. No. 1. 6: Come Across. No. 1. 7: A Criminal Is Born. No. 1. 8: They're Always Caught. No. 1. 9: Think It Over. No. 2. 0: The Wrong Way Out. No. 2. 1: Money to Loan. No. 2. 2: While America Sleeps. No. 2. 3: Help Wanted. No. 2. 4: Think First. No. 2. 5: Drunk Driving. From that point forward the order and numbering of the remaining twenty- five shorts begin to deteriorate throughout the World War II years. While some of the Film version themes found their way into the Radio version, almost all seventy- eight Radio Crime Does Not Pay topics are original to the series. Many have theorized that some or all of the Crime Does Not Pay radio scripts had been works- in- progress for the Film version, or perhaps even envisioned for Television, where many of the Film shorts were already airing from time to time. Whatever the medium, Crime Does Not Pay seems to have touched a nerve with the American public. With another world war looming, suspected 'fifth columnists' around every corner, and scams from the post- Depression years still running their course throughout the country, there was plenty of material from which to draw for MGM's Shorts Division. All of this prologue is by way of explaining what appears to be an anomaly in Golden Age Radio- -a series of radio programs recorded almost exclusively by movie actors. We don't mention this to in any way detract from these fine performers' work in this program. There had been a glut of such civic minded programs between the 1. MGM thought they might milk even more public interest out of yet another such program. As with most programs of the genre, each script is presented as a morality play, arcing quickly to the moral dilemma, then racing to the end where the protagonist either pays for his or her crime, or resolves to go straight and sin no more. The irony of the time was how crooked and corrupt local law enforcement had become throughout the post- Depression and post- World War II years. MGM wasn't above pandering to law enforcement by any means. Edgar Hoover himself- -who loved being pandered to, personally- -encouraged such crime- fighting programs. But that was the nature of the post- World War II recovery years. With everyone racing to either keep up with the Jones' or become the Jones', the vacuum created while no one was watching, was fertile soil for law enforcement corruption. Crime Does Not Pay was well- received during its runs. The resurgence of the phrase . The talent alone, employed during the run was noted often in the trade papers and magazines of the era. These were in many instances, some of the finest character talent in MGM's stable. For that reason alone, Crime Does Not Pay will remain an historical footnote to The Golden Age of Radio.
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